Dear EFA Supporter,
It has been a busy few weeks for Electronic Frontiers Australia as public outrage against the Government’s Internet censorship plan ignited around the country. EFA has served as a gateway for information on the scheme and a rallying point for opposition. Our revamped campaign website at http://nocleanfeed.com has seen an explosion in traffic, and the EFA board has done dozens of interviews in print, on radio and television getting the word out to the Australian public. See below for just a sample.
The campaign is working. On the internet, letters to the editor pages and talk-back stations around the country, the Australian public are up in arms. MPs around the country are being flooded with calls, letters and emails demanding an end to the censorship plans. If we keep it up, sufficient pressure can be summoned to bring about a full-scale retreat from this ludicrous and undemocratic position.
EFA will not be easing up the pressure. We will be increasing our online presence, working with other community groups to organise activism, preparing policy analysis material for politicians and journalists, and spreading the bad news with targeted advertising. We will be lobbying selected politicians, so with your continued support we expect to be banging on the doors of power in Canberra regularly over the coming months.
There are a few things you can do to help keep momentum building.
- If you haven’t already, visit the campaign website, and write to your local MP telling them how upset you are.
- Join our Action Alert mailing list here: http://lists.efa.org.au/cgi-bin/mailman/listinfo/alert and be ready to respond when a call for targeted action is made.
- Follow us on Twitter for frequent campaign updates.
- Volunteer. Got special skills in web or graphic design, online advertising, video production, community building or copy writing?
- Got expertise in the subject you’d like to share? Willing to hit the phones? Let us know.
- Send us feedback on the campaign (feedback@efa.org.au), and where you’d like to see EFA target its resources.
- Make a donation (http://www.efa.org.au/support/donations/) so that we can continue to fund our ongoing activities.
We haven’t forgotten about our other campaigns, either. Our campaign site pushing for an R18+ category for computer games went live last week at http://www.r18games.com. As always, check EFA’s home page for latest news.
-The EFA Board
EFA in the news
Filtering out the fury: how government tried to gag web censor critics
http://www.smh.com.au/news/technology/biztech/labors-net-gag-worse-than-iran/2008/10/23/1224351430987.html
Filter to cause World Wide Wait
http://www.australianit.news.com.au/story/0,24897,24575125-15306,00.html
Net filters may block porn and gambling sites
http://www.theage.com.au/articles/2008/10/27/1224955916155.html?page=fullpage#contentSwap1
Stranglehold on the Internet
http://www.news.com.au/adelaidenow/story/0,22606,24561421-5006364,00.html
Channel 7’s Morning program
http://au.youtube.com/watch?v=xThNk0Vd4ws
The new Australian government’s proposed Internet censorship regime has been widely and rightly condemned. Here’s EFA’s position:
Electronic Frontiers Australia Inc. (EFA)
www.efa.org.au
Media Release: 2 Jan 2008
Title: EFA Attacks Clean-Feed Proposal
Electronic Frontiers Australia (EFA) today attacked a government plan, championed by Communications Minister Stephen Conroy, that would mandate “clean feed” filtered Internet connections to all homes and schools. This scheme, which will supposedly censor the Internet of pornography and other “inappropriate material”, goes further than the Coalition’s previous policies, by requiring individuals to opt-out of the scheme rather than request filtering from their service provider.
“Waving the ’save the children’ flag may be good politics, but it ignores serious technological problems which will likely cause the proposed scheme to fail,” said EFA Chair Dale Clapperton. “Furthermore, Australia is supposed to be a liberal democracy where adults have the freedom to say and read what they want, not just what the Government decides is ‘appropriate’ for them.”
“These announcements smack of the condescending paternalism which contributed to the downfall of the Howard government,” Clapperton continued. “The proposals threaten the free speech rights of every Australian, and our concerns will not be silenced by Government sound bites equating free speech with access to child pornography.”
EFA has previously raised concerns about Australia joining North Korea, China and Burma in the club of nations who censor their citizens’ access to the internet. While the Minister makes no apologies for this alarming development, he has given us little reason to put our faith in his bureaucrats to administer such a system competently, transparently and fairly.
“Who decides what is ‘appropriate’ for adult Australians to read on the Internet, and according to what standards?”, asked Clapperton. “What will happen if the Government decides that information about abortion or gay marriage is ‘inappropriate’ at the behest of Family First Senator Steve Fielding?”
In an attempt to dismiss the policy’s critics, Senator Conroy said “If people equate freedom of speech with watching child pornography, then the Rudd-Labor Government is going to disagree.” EFA notes, however, that child pornography is already illegal, and very unlikely to come to the attention of either the casual web user or the censors themselves. “senator Conroy’s attempt to equate freedom of speech with access to child pornography is a transparent attempt to deter criticism of this fundamentally flawed proposal,” said Mr Clapperton.
Implementation of the proposal, insofar as it is technically possible, would cause significant technical and administrative headaches for Australia’s Internet Service Providers. “This can only have the effect of making Australians’ access to the internet slower and more expensive,” said Clapperton. “Given the Prime Minister’s election promise to focus on improving the nation’s access to broadband, the fact that the first measures put in place should do the exact opposite is as disappointing as it is bewildering.”
With billions of web pages available on the internet and changing every day, the crucial technical and administrative details of how the clean feed will be created have not yet been made available. Although the Minister has asserted that the Internet will not “grind to a halt”, he has yet to explain to Internet engineers how he plans to accomplish a feat that experts acknowledge would be very difficult. “Anyone with a better understanding of the Internet than the Minister will tell you this system simply will not work,” said Clapperton. “But a lot of taxpayers’ money will be wasted if we try.”
EFA supports measures to provide filtering software to homes where it is requested, and to educate parents on monitoring their children’s online activities. “Unfortunately, ISP based filtering will not make the Internet safe for children, and may even cause harm in and of itself. If parents are deceived into believing that a ‘filtered’ Internet service is safe for children, they will be less likely to take sensible precautions such as supervising their children while they use the Internet.”
At a time when all sides of politics acknowledge the importance of developing our information economy, EFA feels that this announcement sends the wrong message to the rest of the world. “The Coalition was rightly ridiculed by the rest of the world when they announced in the late 1990’s that they would censor Australian’s Internet access. The Coalition, at least, sensibly realised that their proposals were technologically infeasible. It seems that the current Minister with responsibility for the Internet has yet to learn that lesson.”
– Ends –
Below is:
- Background information
- Contact details for media
Background:
ABC News article on the announcement:
http://www.abc.net.au/news/stories/2007/12/31/2129471.htm
Past media releases by Senator Conroy about internet filtering:
http://www.senatorconroy.com/media95.html
http://www.senatorconroy.com/media70.html
About EFA:
Electronic Frontiers Australia Inc. (”EFA”) is a non-profit national organisation representing Internet users concerned with on-line rights and freedoms. EFA was established in 1994, is independent of government and commerce, and is funded by membership subscriptions and donations from individuals and organisations with an altruistic interest in promoting online civil liberties.
http://www.smh.com.au/articles/2007/10/17/1192300857463.html
Marcus Westbury
October 18, 2007
In the music scene there has always been a pretty strong division between those who play original music and those who are derisively, and sometimes unfairly, dismissed as covers bands. What’s the point of being in a band if you’re not playing your own songs? When was the last time that duo with a keyboard and a drum machine from your local RSL club had a breakthrough hit?
It’s not that covers bands aren’t talented, don’t make good music, don’t entertain or even have a good time. Hell, put enough drinks in me and I’ll hit the dance floor to an ’80s pop classic or wave a lighter with half a tear in my eye to, say, Flame Trees.
But no one seriously goes out of their way to suggest that covers bands are the most vital or important part of the music scene. Why then are covers bands – of the high-culture variety – receiving the bulk of arts funding?
An overwhelming amount of arts funding in Australia goes to organisations that either exclusively or primarily play covers. Think symphony orchestras, opera companies and state theatre companies that produce comparatively little in the way of original, innovative or even Australian work. Like classic hits radio, they are busting out the chart-toppers of the 17th, 18th, 19th and 20th centuries.
Confused? If you’re not sure what I’m talking about, grab yourself a copy of the Australia Council’s annual report. The nation’s cover bands, mostly the state-based symphony orchestras, collectively receive just under $50 million each year from the council.
Whether that figure seems average or outrageous would depend on the context that you choose to put it in. The context that I put it in is the $4.8 million pool that every single musician in Australia who isn’t in a symphony orchestra competes for every year. That’s more than a 10-fold disparity between the orchestras and everyone else combined.
The Sydney Symphony receives nearly $9 million each year. That is more funding than goes to all of Australia’s visual artists, or all of the nation’s writers and publishers, or all the dancers, or all the Aboriginal and Torres Strait Islander artists, or all the community art practitioners.
Don’t get me wrong; I’m no heathen or unreconstructed postmodernist. Okay, I’m a bit of a heathen but I’ve never entirely got the postmodern thing. My problem is not that we still fund classical European culture, it’s just that we fund so bloody much of it and so very little of everything else.
My argument isn’t about form and it isn’t an extreme one. It’s about scale, equity and magnitude. I do think it would be a loss if Australians were to lose all connection with our vast and glorious European cultural heritage.
But Opera Australia receives more than $10 million a year from the Australia Council. Sure, opera is lavish, expensive and glorious but I simply cannot think of a single sensible, logical or sane reason why one opera company is valued roughly on par with more than 400 separate organisations supported by the music, dance, literature and inter-arts boards of the same organisation.
Great art to me creates a resonance and opens up possibilities; it isn’t the echoes of the past. It’s not something you reproduce proficiently. Art is made out of anger or curiosity or awe or beauty or because you’re in love or want someone to fall in love with you.
Artists don’t just preserve the past. They make new things from the sum total of human experience. They tell new stories and find new ways of telling stories from the tools and influences that they have around them.
Culture isn’t something that happened in Europe centuries ago that needs preservation. It’s actually all that messy, beautiful, inspiring and wonderful stuff that is happening around us right now. Arts funding should reward innovation not preservation and vibrancy over bureaucracy.
Most importantly, no one art form or institution – however regarded – should have its funding quarantined and its position privileged so that it is never tested against all the other possibilities to which its resources may better be put.
Marcus Westbury is the writer and presenter of Not Quite Art on Tuesday nights on ABC TV. marcus.westbury@gmail.com
Late notice, but this looks interesting:
SEMINAR
Digital Democracy Unpacked: A Critical Mapping of Five Ideal Typical Discourses
Dr Lincoln Dahlberg, School of Journalism and Communications
The University of Queensland
When: 1 June, 5-6.30pm
Where: UTS Broadway, Building 3, Level 2 (Room 210)
Digital democracy has become an increasingly popular topic among
academics, political commentators, and policy makers: there is much
talk about the potential of the Internet and other digital media
enhancing democracy. There has also been plenty of action, with
governments, civic organizations, universities and activists,
investigating this potential and supporting digital democracy
initiatives. All this commentary, research, policy making, and project
work draws on a diversity of understandings of digital democracy.
However, there is a lack of resources that clearly outline and examine
this diversity. This paper undertakes an ideal-typical reading and
critical evaluation of five digital democracy discourses and their
variations, with the aim of bringing attention to the range of
possibilities for democracy supported by digital media, and the
advantages and disadvantages of these different possibilities.
Lincoln is a post-doctoral research fellow in the School of Journalism
and Communication at The University of Queensland. He is co-editor of
the journal New Zealand Sociology and of the collection Radical
Democracy and the Internet (Palgrave, June 2007). Lincoln’s current
research involves a critical investigation of the practices and
meanings surrounding Internet use, with particular focus on the
extension of democratic cultures. He can be contacted at:
l.dahlberg@uq.edu.au
Hosted by: Research Initiative on International Activism:
www.international.activism.hss.uts.edu.au
James Goodman, Faculty of Humanities and Social Sciences,
University of Technology Sydney, PO Box 123, Broadway, NSW 2007.
Phone: (612) 9514 2714 Fax: (612) 9514 2332
Email: james.goodman@uts.edu.au
Web: www.international.activism.uts.edu.au

So TV weatherman Mike Bailey has decided to stand as a Labor candidate at the next federal election.

I always loved the dramatic way he’d say ‘the pressure is rising’ when giving the barometric report. The pressure always seemed to be rising. For a long time I’ve had the idea of taking a year of his barometric reports and turning them into a sound piece. But like most of my ideas for artworks (and blog posts) I couldn’t be bothered with the execution. Well, I have plenty of other things to be getting on with.
Here, have a song:
Luke Haines – Bailed Out (from Luke Haines is Dead)
Your star is descending
Round here blindly
Tell your dancing daughter
That there’s no room
on the wing
We can bitch
but it ain’t tinsel town
Hey! Starchild
Can’t dance
Left out on a useless limb
This party will start
To drag you down
Slap your face
and pull your hair
Bailed out, bailed out
Bailed out, this skin is shed
Bailed out, bailed out
Bailed out, this thing is dead
I was in traction
started off smiling
Couldn’t help laughing
I was astounded when
They caught you unaware
And some missionary said
That this week
we’ve got to shoot
All the dancing girls
And then replace them
With satellites instead.
This party will start
To drag you down
Slap your face
and pull your hair
Bailed out, bailed out
Bailed out, this skin is shed
Bailed out, bailed out
Bailed out, this thing is dead
Like to see something change
Around here, around there
“Pray for rain.”
Yep, that’ll fix it!

This Is Not Art is on in Newcastle this weekend. It’s my favourite Australian festival – if you’ve never been, you should check it out. I’ll be doing a couple of talks and a couple of performances.
is a brilliant Australian sound collagist and radio producer, working in a similar style to Negativland, but with a more overtly political edge.
I first heard her work a few months ago on FBi Radio’s Sunday Night at the Movies, and found out today that she’s also participating in ABC Radio’s Figure in a Soundscape project that I’m involved in, so I finally got hold of her URLs.
Apart from her MySpace page, some of her work is available on CD and for download from the InterWebMegaLink. Highly recommended! Especially if you like the League of Infinite Justice.

It’s been a while since we’ve had a personality test here, but on Glen’s recommendation, I just did this one. And I got pretty much the same result as Glen too!

This is your selected tribe:
New Aquarians
Incidence in Population
Proportion of Canadian population: 5 per cent
Proportion of Gen Xers: 14 per cent
Other Demographics
Mostly mirror the general population
Fundamental Motivations
Social Justice and Experience-seeking
Key Values
Adaptability
Concern for the less fortunate
Concern for the environment
Respect for education
Contempt for traditional authorities
Hedonism
Words to Live By
There is no being, only becoming
Everything changed in Seattle
No justice, no peace
Icons
Singer Sarah McLachlan
Author Naomi Klein
Singer/activist Jello Biafra
Rap-metal group Rage Against the Machine
Author/activist John Zerzan
Actress Sarah Michelle Gellar
Dead Prez
Technology Orientation
Money Orientation
Making it: I’d never do work I didn’t believe in.
Spending it: When I must consume at all, I consume with conscience.
Saving it: I’m not saving much now, but when I do I’ll call the shots.
Stealing it: No, thanks.
Giving it away: Environmental and social causes.
I can live with that, although I’m not about to start calling myself a New Aquarian (anyway, I’m a Sagittarian, fwiw).
If you take the test(/quiz/survey/whatever) let us know your result!
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