Submerge#d

I’ll be performing at this event in Cairns this Saturday as part of the On Edge festival.

Submerge#d

Submerge#d

Arahmaiani (Indonesia), post (Syd), tako seijin (Sam Tupou), Zane Saunders, Unstrumenta Orchestra, Shannon O’Neill (syd), ReelDance – Australian & New Zealand Awards 2010, John Von Sturmer (Syd), Kris Keogh (Dar), Font featuring Tweak Bakini, Hanzard and lots more.

Submerge#d presents a diverse and eclectic night of short media and performance works from local and guest practitioners. Guest artist, Arahmaiani (Indonesia) is a key-figure in the current contemporary art scene in both Indonesia and South East Asia, and draws from community process and social/political issues in developing innovative performance art.

The Submerge#d program also includes Sydney group post presenting new work in progress, the ReelDance Australian and New Zealand Awards, and innovative artists Zane Saunders and Sam Tupou bringing contemporary indigenous and pacific island perspectives to the fore.

  • Sat 10th July
  • Old Hrvatski Klub Artspace, 240 Scott St
  • Doors 6.00pm, Show 7.00pm
  • Check web for full program/times.
  • Tickets: $10/ 7 at the door.
  • Open Fields

    Open Fields

    Open Fields is an interdisciplinary event occurring this week at UTS and Serial Space. I’ll be participating in two performances:

    • Thursday April 29, 5:30pm at the Bon Marche Studio – an open rehearsal by The Field (Chris Caines, Jessica Tyrrell and myself) of Headwater, an audiovisual work that we’re developing for the forthcoming Memory Flows exhibition at Newington Armory.
    • Friday April 30, 7pm at Serial Space – the debut performance of Monika BrooksStifle / Send composition for laptop ensemble and voices.

    There are lots of interesting sessions in the program, so come along if you can.

    Douglas Kahn at the MCA

    Douglas Kahn

    Douglas Kahn, noted academic and theorist, will be speaking at the Museum of Contemporary Art this Thursday 19th November from 6.30 – 8.00pm.

    Bookings are essential, to reserve your place please email the MCA or call the number listed below.

    The November Art Monthly Australia ‘Arts of Sound’ edition guest edited by Douglas Kahn, which also includes a DVD of works by Australian artists, will be on sale at a special one-off lecture event price of $8 each or 2 for $15.

    Also listen to Douglas Kahn on ‘New Music Up Late’ with Julian Day (prerecorded) this Saturday night (14th) on ABC Radio National 10:30pm to 12:30pm. The show will be available online for four weeks.

    I contributed a review of Severed Heads’ Adenoids box set to the current issue of Art Monthly Australia. Tom Ellard has written a response. If I have time I may write something about that here, but I’ll probably just discuss it with him over a beer.

    Random Acts of Elevator Music + Shannon O’Neill

    Random Acts of Elevator Music

    I’ll be performing selections from some forthcoming solo releases on Alias Frequencies at this event.

    WHAT: Random Acts of Elevator Music + Shannon O’Neill
    WHEN: Friday October 9, 7.30pm
    WHERE: Don’t Look Gallery
    419 New Canterbury Rd
    Dulwich Hill (426/428 bus)
    COST: $10
    CONTACT: Nicholas Bates, Master Management
    0403 920 908, nicholas.bates@gmail.com
    OR Don’t Look Gallery 0401 152 434, dontlookgallery@gmail.com

    Random Acts of Elevator Music at Don’t Look Gallery

    Making their first business trip from Melbourne, Random Acts of Elevator Music perform at the experimental new media art space Don’t Look Gallery, 419 New Canterbury Rd, Dulwich Hill, on Friday the 9th of October at 7.30pm. The show incorporates the acclaimed Random Acts of Elevator Powerpoint display, featuring highlights from office life and rare elevator footage, along with their trademark soothing tones, melodies and oscillations. Joining them for a rare solo live set is Sydney sound artist Shannon O’Neill.

    Random Acts of Elevator Music is the latest project from City Frequencies, a collaboration between Matt Adair and Nick Wilson, who work together on sound projects within the metropolitan environment.

    The original City Frequencies installation was a live surround-sound audiovisual performance held at the Melbourne Town Hall for the 2000 Next Wave Festival, utilising the sounds and sights of the Melbourne CBD as source material. In 2004 City Frequencies recorded the conversations of Fitzroy café-goers at Kent Street Cafe, using the tapes to create the Café Voyeur installation.

    Shannon O’Neill is a Sydney sound and media artist.  As well as making sound and music under his own name and as Time Being, he has been a member of several groups including Wake Up and Listen and The Splinter Orchestra. Shannon has been a director of the Electrofringe and Sydney Liquid Architecture festivals, and is the founder and director of Alias Frequencies, an organisation that promotes and publishes music and media art.

    For further information visit: www.akm.net.au/cityfreqs
    www.twitter.com/cityfreqs

    Or contact: Nicholas Bates
    Master Management
    0403 920 908
    nicholas.bates@gmail.com

    Facebook page

    LIQUID ARCHITECTURE 10

    la10-water-squFestival of Sound Arts

    Sydney
    24 – 27 June 2009

    Liquid Architecture 10 will be a landmark occasion for the festival and for sound culture in Australia. Celebrating its tenth consecutive year, the Liquid Architecture sound arts festival will be held across three city venues, The Performance Space, the University of Technology Sydney and Hermann’s Bar, presenting an exciting program of contemporary sound arts. With a decade of experience to draw upon the diverse program features live events and installations showcasing the highest quality sound work in an intense, focused listening environment.

    In Sydney, Liquid Architecture 10 presents a program of performances, installations and artist presentations. The breadth of diversity of artists and artistic practices includes meticulous recorded work, improvised instrumental performance, new sound for screen work, radical uses of digital technology, inventive self-made sound making devices and historically informed practices.

    Sydney Directors: Jennifer Teo & Shannon O’Neill
    Production Manager: Sarah Davies

    liquidarchitecture.org.au


    Program

    Download the LA10 Sydney Program

    Download the LA10 Sydney Program [Flyer] [6.6Mb]

    memory_flowsWED 24 JUNE

    Exhibition: Correspondence @ Performance Space

    Wed 24 – Sat 27 June
    FREE

    Opening Wed 24 June (6:00pm)
    Performance by Ruark Lewis & Rik Rue

    Scott Arford (USA), Ruark Lewis & Rik Rue, Lauren Brincat, Vicky Browne, Josie Cavallaro.
    Memory Flows: Nigel Helyer, Greg Shapley, Maria Maranda & Norie Newmark, Jacqueline Gothe & Ian Gwilt.

    A composition of works interrogating ideas of sound, music, conversation and silence. In Memory Flows, artists from the UTS Centre for Media Arts and Innovation collaborate around the shared theme of rivers, accessing the flow of memories via objects, sounds and projections.

    THU 25 JUNE

    Forum & Performance @ Bon Marche Theatre, UTS

    Forum: Sustainability of Sound Arts in Australia
    3:00 – 5:00pm
    FREE

    Julian Knowles (Queensland University of Technology)
    Paul Mason (Australia Council for the Arts)
    Sarah Last (Australian Network for Art & Technology)
    Somaya Langley (Electrofringe)
    Nat Bates (Liquid Architecture)
    Gail Priest (RealTime) via Skype

    Julian Knowles will be joined by a panel of leading voices from Australian sound culture to discuss important
    issues around the sustainability of contemporary sound arts practice in Australia.

    * Image Ecologies Launch – Level 4, Tower Building, University of Technology Sydney, Ultimo 6-8pm

    Memory Flows Performance: The Field
    8:00 – 9:00pm
    FREE

    Chris Caines
    Shannon O’Neill
    Jessica Tyrrell

    Artists improvise together on themes of memory and water, responding to each other and to audiovisual material from sources including the ABC’s Pool website. This performance will also be streamed live online at http://www.communication.uts.edu.au/centres/cmai/.

    thomas_koner_la_barca_stillFRI 26 JUNE

    Concert One @ Performance Space

    7:30 – 10:30pm
    $25/20

    Thomas Koner (DE)
    Garry Bradbury (SYD)
    Cat Hope (WA)
    Alex White (SYD)
    The full spectrum of sound will be explored in this concert, from noise and infrasound, to intricate detail and atmospheric ambience.

    asmus_tietchensSAT 27 JUNE

    Concert Two @ Performance Space

    6:00 – 9:00pm
    $25/20

    Asmus Tietchens (DE)
    Plump (Dave Brown/ Phil Samartzis/ Marc Rogerson) (VIC)
    Whirlpool (Chris Abrahams & Kraig Grady) (SYD)
    Somaya Langley (SYD)
    New instruments, new approaches to traditional instruments, and a major figure in the history of electronic and experimental music.

    ecc_09410 Year Anniversary Celebration @ Hermann’s Bar

    10:00pm – late
    $20/$15

    The Evolution Control Committee (USA)
    Buttress O’Kneel (VIC)
    Puzahki (QLD)
    Atone (SYD)
    Loom (SYD/ACT)
    DJ Lieutenant Colonel Spastic Howitzer (SYD)
    DJ Corporal Leper (SYD)

    Come and celebrate Liquid Architecture’s 10th birthday at this special late night show, featuring the pioneers of the mash-up, the Evolution Control Committee (USA). A night of breakcore, cabaret, dub and more, with some of Australia’s finest underground talents.


    Tickets

    SPECIAL Season Pass $50/$40
    Both concerts + entry to closing night party at Hermann’s Bar.

    BOOKINGS:
    For Festival Pass, Concert One & Concert Two
    Ticketmaster http://www.ticketmaster.com.au

    For Hermann’s event only
    The ACCESS Centre, Level 1 Manning House, University of Sydney Ph: 9563 6000 Email: info@usu.usyd.edu.au


    Venues

    Performance Space, Carriageworks
    245 Wilson Street, Eveleigh
    Access info: http://www.carriageworks.com.au/visiting_us.php?subpage=getthere

    University of Technology Sydney
    UTS Bon Marche Theatre, 755 Harris St, Ultimo
    Access info: http://www.fmu.uts.edu.au/disability/cbaccess.html

    Hermann’s Bar
    Cnr City Rd & Butlin Ave, University of Sydney, Sydney.
    Access info: http://www.hermannsbar.com/About/FAQ/Default.aspx

    Accessibility

    wheelchair All venues are wheelchair accessible. Accessible toilets.


    Festival Partners & Supporters

    Liquid Architecture 10: Sydney is proudly presented by Performance Space, Centre for Media Arts Innovation (UTS), Alias Frequencies and Plum Industries.

    Liquid Architecture is assisted by the City of Sydney, NSW Department of the Arts, Sport and Recreation, and the Australian Government through the Australia Council, its arts funding and advisory body. Additional support from Goethe Institute & Sound Travellers.

    la10-logos-web2


    More

    Idea of South

    Roger Mills’ extraordinary radiophonic/streaming project goes live tonight! Tune in on 2SER, FBi radio and online from 10:30pm.

    New and updated Alias Frequencies releases

    After a brief hiatus Alias Frequencies is back in 2009 with many wonderful things to come. Here are some new and updated releases:

    Lucas Darklord – Handheld Apocalypse

    These selections represent a sample of individual works, experiments and never-to-be-finished pieces produced between 2005 and 2007. Some pieces mark the beginnings of failed projects or redundant tangents, whilst others came to be for unknown reasons. All compositions are intended for most appropriate use in managerial meeting rooms, executive boardrooms, vaults, darkness, at volume and with influence. It is advised that this composition be played in all work places both before and after work each day. This music is without genre and is Dark Corporate Techno, Dark Grinding Corporate Ambience, Dark Corporate Art Core and 21st Centuary All Family Punk.

    Lloyd Barrett & Paul Forbes-Mitchell – Humming through Schizophonic Air

    The pieces on this album were created using a specially designed system code-named “Habitat”. Autonomous artificial agents feed on live and prepared sound and vision, excreting their own mutated variations which are then collected and presented for listener edification. The process is the culmination of combined research by Paul and Lloyd in the construction of a live electro-acoustic audiovisual engine that draws from both academic and underground practices.

    Also updated:

    Lucas Darklord – Asmoir

    These are the sounds received from our first interdimensional probe, Asmoir. This epic work now includes parts 4, 5 and 6 plus high quality images. The current duration is over seven hours. The concluding parts 7, 8 and 9 will be released later this year.

    Experimental artists/performers wanted! [Sydney]

    Over the last few years Don’t Look Gallery has presented a diverse
    array of challenging experimental technology-based art from its
    shopfront in the outer-inner-west suburb of Dulwich Hill. Sound,
    video, computer art, vintage technologies, installation and conceptual
    art describe just some of the forms that have raised eyebrows in this
    modestly sized art space.

    We are currently looking for artists (and potential artists) who may
    want to show at Don’t Look Experimental New Media Gallery in 2009.
    Exhibitions run for 10 days (or longer by agreement), the rent is
    cheap and we help with publicity, setup and concept (if you wish). If
    you are interested in having an exhibition please email a proposal and
    CV (no more than two pages in all) to dontlookgallery@gmail.com.

    In 2009 we will be also be starting a fortnightly experimental
    sound/new media performance night. If you’re a musician and/or artist
    and want to try out something new, again please email
    dontlookgallery@gmail.com with a short description of the work and a
    CV.

    We look forward to hearing from all artists who are into making work
    that doesn’t fit neatly into a gilded frame, squarely on a wall!

    ELEVENELEVEN :: 14

    I’ve programmed a selection of Australian music for the latest edition of the ELEVENELEVEN podcast.

    Warm words, music & dirigibles

    Warm words, music & dirigibles

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