Broken Postal Cab

After hearing about them everywhere in recent months I finally checked out the music of Death Cab for Cutie and The Postal Service, two projects of American indie singer/songwriter Ben Gibbard.

Both bands have similar songs, with a tendency for bittersweet lyrics and melodies, but whereas Death Cab is an indie rock band that has been active since the mid 90s, Postal is a more recent collaboration with electronic music producer Jimmy Tamborello aka Dntel.

I listened to nearly all of their recordings. They’re very enjoyable and catchy (especially the recent albums) albeit somewhat innocuous. And I watched their videos, including the Death Cab tour film Drive Well, Sleep Carefully which like most rockumentaries isn’t very good, but worth a look if you like the music.

Then a funny thing happened. For the next few days my mind started creating Gibbard-style tunes. There were several of them, a few of which I imagined being good enough to record. I soon forgot most of them but managed to record one using software. The results were disappointing, which reminded me that pop music is as much about the sound as the song, and I’m not setup for making pop sounds at the moment (although I’m well sorted for experimental music!).

One of the keys to Gibbard’s music is his voice, which really is the perfect American indiepop nerdboy voice, with a pure, vibratoless tone. (Although his singing is much less convincing live (on the videos I’ve seen) which is OK when he’s among fans, but really not very good on TV show appearances.)


Death Cab for Cutie – Ben Gibbard, second from left

I still don’t have the confidence to record my singing with any conviction (I’ll occasionally sing a part as a way of sketching it before replacing it with another sound). I really believe I could, but need to get over the fear – of my music snob friends laughing at me as much as of just not being very good. Maybe some lessons would help me get over that hurdle. Likewise with guitar.

Not that I want to emulate Gibbard’s music – that was just an exercise, as I wanted to do something with those tunes that were popping into my head. If I actually developed any of them I’m sure they’d mutate into something quite different. But the experience did reinforce my ongoing urge to do some sort of vocal/song project. I’m just not sure of the best way to approach it. I guess the easiest way would be to start as a solo electronic project, that way I wouldn’t have to show it to anyone until I was happy with it. But it would be nice to have collaborators…

The thing is that although I love a lot of indie music I’m not into the indie scene at all. The Broken Social Scene gig that I went to recently was great musically, but I found the majority of the audience incredibly annoying. I’m much more at home in my experimental music ghetto.

But I’ve been listening to so much indie lately (I blame Last.fm) that it’s beginning to affect me. The other day I found myself wearing a short sleeve t shirt over a long sleeve t shirt! And I even dug out my old Chuck Taylors which I hadn’t worn since the 80s, but the rubber had turned to chalk. I went online and discovered to my delight that Converse now make them in black monochrome! I almost bought them until I discovered that they charge about 50 bucks for postage, and they won’t deliver to P.O. boxes (what’s up with that?).

What’s happening to me?? I hope I’m not becoming a grup! Nah, it’s probably just a phase I’m going through…

now now in realtime

My review of the NOW now festival for RealTime is now online (and in print). In the same issue is Ben Byrne’s response to Nigel Helyer’s ‘critique’ of laptop music performance.

Assemblage event

Deleuze & Guattari’s concept of ‘assemblage’ is going to be important in my PhD for thinking about ‘appropriation’.

A friend in Sydney is assembling a symposium on assemblage. There will be speakers on such topics as ‘minor literature’, cultural industries and (post-)subcultures.

The details, including date, are yet to be fixed, and it will be something of an underground event i.e. outside of academia and with little publicity. If you’re interested in participating (as a speaker or punter) please let me know.

Frigid

Bradbury and Newman will be playing at Frigid tomorrow. Highly recommended (I’d go but will be busy with radio). Well done Frigid for being more adventurous in its programming this year.

Last.fm

is the in thing this week, apparently.

I won’t be joining unless I eventually succumb to peer pressure. I don’t want people to know about every piece of music I listen to! What happened to privacy?

And I already have too much music to listen to without needing yet another source of ‘recommendations’.

Max

These were given out at Max’s funeral. I wanted to post them earlier, but my scanner stopped working and I’ve only just got a new one.

Click on this image to read the story of an amazing life:

Broken Social Scene

will be in Sydney in a few weeks, playing at the Metro on Saturday March 4, and at the St Jerome’s Laneway Festival on Sunday March 5.

I might go to their Metro show. Anyone else up for it?

??????

Oh ok then…

s0metim3s has given us her favourites of 2005. I wasn’t going to do this, but since I’m waiting for South Africa to be bowled out before I head out for the rest of the day…

Favourites of 2005

I’ve restricted this to things that were published/screened or events that happened in 2005.

Albums

50 Foot Wave – Golden Ocean
Broken Social Scene – Broken Social Scene
Kate Bush – Aerial
Coil – The Ape of Naples
Dressy Bessy – Electrified
Luke Haines – Luke Haines is Dead
Jackson & His Computer Band – Smash
Lady Sovereign – Vertically Challenged
Konono No. 1 – Congotronics
Metric – Live It Out
M.I.A. – Arular
The New Pornographers – Twin Cinema
Puzahki – Daddy’s Little Skint
Rhythm & Sound – See Mi Ya
Sleater Kinney – The Woods
Smog – A River Ain’t Too Much to Love
Venetian Snares – Rossz Csillag Alatt Született

It was mainly pop/rock for me this year – I even bought a guitar (which I still can’t play)! The sort of experimental music that I’d usually obsess over, this year I’d generally listen to once or twice before moving on. See Utility Fog for all the postfolkrocktronica that I should’ve been listening to.

Blogs

Too many – see the blog roll. It has been a privilege to have participated in the blog phenomenon and to have met so many amazing people. Extra love to those who have commented at, or linked to this humble blog.

Films

Charlie and the Chocolate Factory
Howl’s Moving Castle
Me and You and Everyone We Know
The Proposition
Wolf Creek

I didn’t go to the cinema nearly enough this year.

Games

Dragonshard
X-Men Legends 2

Live Music

Ben Byrne & Clayton Thomas @ Disorientation
Dereb Desalegn @ What Is Music, Sydney
DJ Olive @ Liquid Architecture 6, Melbourne
DJ Z-Trip @ The Metro
Lieutenant Colonel Spastic Howitzer @ Electrofringe
Machina Aux Rock @ Liquid Architecture 6, Sydney
Peter Newman @ Electrofringe
The Residents @ The Metro
Smog @ The Metro
Social Interiors @ Liquid Architecture 6, Sydney
Thembi Soddell @ Liquid Architecture 6, Sydney
Wet Gate @ Liquid Architecture 6, Melbourne

I also played live more often this year than any other. Highlights included a solo performance at the National Gallery of Australia for Liquid Architecture 6, Canberra; a technically disastrous but well-received set with WUAL for Liquid Architecture 6, Melbourne; better WUAL performances at Disorientation and Electrofringe; duo performances with Rik Rue (at if you like improvised music…), John Jacobs (at e)scapes) and Ben Byrne (twice, at the NOW now, and a VJ performance at Science Fiction); a solo performance at The Night Air Audiotheque; a solo performance and a Time Being DJ performance at Disorientation; performances with the Splinter Orchestra at Liquid Architecture 6, Sydney and Science Fiction.

TV

Arrested Development
Dateline London
Deadwood
Green Wing
Late Night with Conan O’Brien
Lateline (ABC)
Nathan Barley
Nighty Night
Peep Show
Rome
Something in the Air
The Thick of It
Trailer Park Boys
We Can Be Heroes

Thank goodness for broadband.

What’s In / What’s Out

What’s out:

CDs
Censorship
Copyright
Free to air commercial TV
Newspapers (in print form)

What’s in:

TEH INTERNETS!

links

Disfiguring the ‘Means of Production’: Sound and Power in Late Capitalism

GamEnd and MamEnd

High-Definition Multimedia Interface

Humility and the Guest: Tarkovsky’s Critique of the Subject

Living Dangerously: Kierkegaardian Faith and Deleuzean Becoming

Oh Good

Overview of all HTML elements

Project Pterosaur

Reggaeton Flows Through Musical Genres

Zipf’s Law

YaCy

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