tabs

Actor-network theory

Feel Tank Chicago

Global Cemetary Online with Sad News Update

The Interruptor – VST Devices

Possible and Impossible Aporias

Resounding the Cinematic – Resonance, Proximity and the Acousmatic in the Apparatus

The Shannonizer

Sprockets (television)

Through the Keyhole

Urbanomic

Oh ok then…

s0metim3s has given us her favourites of 2005. I wasn’t going to do this, but since I’m waiting for South Africa to be bowled out before I head out for the rest of the day…

Favourites of 2005

I’ve restricted this to things that were published/screened or events that happened in 2005.

Albums

50 Foot Wave – Golden Ocean
Broken Social Scene – Broken Social Scene
Kate Bush – Aerial
Coil – The Ape of Naples
Dressy Bessy – Electrified
Luke Haines – Luke Haines is Dead
Jackson & His Computer Band – Smash
Lady Sovereign – Vertically Challenged
Konono No. 1 – Congotronics
Metric – Live It Out
M.I.A. – Arular
The New Pornographers – Twin Cinema
Puzahki – Daddy’s Little Skint
Rhythm & Sound – See Mi Ya
Sleater Kinney – The Woods
Smog – A River Ain’t Too Much to Love
Venetian Snares – Rossz Csillag Alatt Született

It was mainly pop/rock for me this year – I even bought a guitar (which I still can’t play)! The sort of experimental music that I’d usually obsess over, this year I’d generally listen to once or twice before moving on. See Utility Fog for all the postfolkrocktronica that I should’ve been listening to.

Blogs

Too many – see the blog roll. It has been a privilege to have participated in the blog phenomenon and to have met so many amazing people. Extra love to those who have commented at, or linked to this humble blog.

Films

Charlie and the Chocolate Factory
Howl’s Moving Castle
Me and You and Everyone We Know
The Proposition
Wolf Creek

I didn’t go to the cinema nearly enough this year.

Games

Dragonshard
X-Men Legends 2

Live Music

Ben Byrne & Clayton Thomas @ Disorientation
Dereb Desalegn @ What Is Music, Sydney
DJ Olive @ Liquid Architecture 6, Melbourne
DJ Z-Trip @ The Metro
Lieutenant Colonel Spastic Howitzer @ Electrofringe
Machina Aux Rock @ Liquid Architecture 6, Sydney
Peter Newman @ Electrofringe
The Residents @ The Metro
Smog @ The Metro
Social Interiors @ Liquid Architecture 6, Sydney
Thembi Soddell @ Liquid Architecture 6, Sydney
Wet Gate @ Liquid Architecture 6, Melbourne

I also played live more often this year than any other. Highlights included a solo performance at the National Gallery of Australia for Liquid Architecture 6, Canberra; a technically disastrous but well-received set with WUAL for Liquid Architecture 6, Melbourne; better WUAL performances at Disorientation and Electrofringe; duo performances with Rik Rue (at if you like improvised music…), John Jacobs (at e)scapes) and Ben Byrne (twice, at the NOW now, and a VJ performance at Science Fiction); a solo performance at The Night Air Audiotheque; a solo performance and a Time Being DJ performance at Disorientation; performances with the Splinter Orchestra at Liquid Architecture 6, Sydney and Science Fiction.

TV

Arrested Development
Dateline London
Deadwood
Green Wing
Late Night with Conan O’Brien
Lateline (ABC)
Nathan Barley
Nighty Night
Peep Show
Rome
Something in the Air
The Thick of It
Trailer Park Boys
We Can Be Heroes

Thank goodness for broadband.

What’s In / What’s Out

What’s out:

CDs
Censorship
Copyright
Free to air commercial TV
Newspapers (in print form)

What’s in:

TEH INTERNETS!

links

The Ars Technica Motherboard Guide

The Aussie Wordpress Blog

Bulk Rename Utility

Improvisor

Leiter Reports: Nietzsche etc.

Mothers Against Noise

The Neuroeconomics of Trust

Nietzsche’s Moral and Political Philosophy

Oddball Comics

Shannon O’Neill – Last.fm

Philoso?hy Talk

riaamix.com

Jonas Salk

Six Re-Views of Chris Marker: The Art of Memory

i was in a meeting all day today

and drank too much coffee

Film directors’ copyright

———————————————————————-
Australian Copyright Council — Subscriber Information Services
========================================================

The Copyright Amendment (Film Directors¹ Rights) Bill 2005 was passed by the House of Representatives on 13 September 2005 and by the Senate on 13 October 2005. The substantive provisions of the Bill will commence six months from the date of Royal Assent, which has yet to occur. The Bill formally gives film directors a share in the copyright in their films in some limited circumstances. However, their exercise of the copyright is limited to a right to receive a share of any retransmission licence fees.

For information on the Bill, go to http://www.aph.gov.au/bills/index.htm
(click on ³Current Bills by Title², then scroll down).

———————————————————————
From Australian Copyright Council
———————————————————————-
Australian Copyright Council
PO Box 1986 Strawberry Hills NSW 2012
Australia

+61 2 9318 1788 (Tel, copyright information)
+61 2 9699 3247 (Tel, admin and sales)
+61 2 9698 3536 (Fax)
http://www.copyright.org.au
https://shop.copyright.org.au
info@copyright.org.au
———————————————————————-

_______________________________________________
News-l mailing list
News-l@lists.copyright.org.au
http://mailman.barnet.com.au/mailman/listinfo/news-l

Detourned by Chinese translators

Liquid Architecture 6: Sydney

The Sydney leg of Liquid Architecture starts this Wednesday.

Liquid Architecture showcases the work of some of Australia’s premier sound artists alongside international guests.
It straddles traditional divides, presenting acoustic as well as electronic work in many styles, from musique concrete and field recordings, to hip hop, beats and krautrock.

VENUE: Performance Space (199 Cleveland St Redfern)

PROGRAM

Wednesday July 13

Opening Night, 8pm
Severed Heads / Beta Erko (Robin Fox/Anthony Pateras/Martin Ng/Borce from Curse ov Dialect, Melbourne) / Lieutenant Colonel Spastic Howitzer

Thursday July 14

Artists Talks, 6-7pm
‘Electro-Acoustics: Sound Source vs Sonority’ with the artists from Performance Night 1.

Performance Night 1, 8pm
Erik La Casa + Jean Luc Guionnet (France) / Social Interiors / Clare Cooper & Inge Olmheim (Norway)/ Thembi Soddell (Melbourne)

Friday July 15

Artists Talks, 6-7pm
‘The Beat: Rhythm in Contemporary Art-Music’ with the artists from Performance Night 2.

Performance Night 2, 8pm
Thomas Brinkmann (Germany) / TBA (Germany) / Machina Aux Rock (Melbourne) / Ivan Lisyak

Afterparty, late
with Thomas Brinkmann & TBA
See BEEF for more info.

Saturday July 16

Audio-Visual Screening Program, 2pm
featuring works by: Ian Andrews / Tom Ellard / Peter Newman / Jon Hunter / Ivan Lisyak / William Noble / Stephen Fox / Cameron Foster / John Watermann / Jessica Tyrrell / Chris Caines / Wet Gate (USA)

The Splinter Orchestra, 4pm

TIX
Opening Night: $10 / $8
Performance Nights: $20 / $15 / $12 (each night)
Screenings: $10 / $8
Artist Talks: $5 (each night)
Season Pass: $50/$40

The Season Pass provides entry to all talks and performances, except the afterparty.

To book for Opening Night, a Screening or a Season Pass please contact Box office on 9698 7235 or boxoffice@performancepace.com.au

LA6 SYDNEY DIRECTORS: Ben Byrne & Shannon O’Neill

ARTISTS: Ian Andrews, Nat Bates, Adrian Bertram, Natalie Beridze, Thomas Brinkmann, Chris Caines, Clare Cooper, Tom Ellard, Cameron Foster, Robin Fox, Stephen Fox, Jean-Luc Guionnet, Jon Hunter, Julian Knowles, Erik La Casa, Ivan Lisyak, Borce Markovski, Stephen Masterson, Pete Newman, Martin Ng, William Noble, Inge Olmheim, Anthony Pateras, Rik Rue, Thembi Soddell, The Splinter Orchestra, John Watermann

Liquid Architecture 6: Sydney is presented by
Alias Frequencies
The Performance Space
2SER

Harry the Hunchback screening

A short film by Husein Alicajic, for which I did the sound design & music, will be screened at the Sydney Film Festival.

[that makes three Sydney Film Festivals in four years in which my (sound/music) work has been included.]

This email is a courtesy to let you know that the hard work and comittment that went into the making of Harry The Hunchback will be screened as part of the Sydney Film Festival on Friday 17 June at Hoyts George Street Sydney, for films made with the assistance of the NSW Films and Television Office Young Filmmakers Fund. The version of Harry to be screened will be projected from Digital Betacam and not High Definition. As such it is our intention to present the film in it’s preferred exhibition format at a cast, crew and industry screening followed by drinks in the coming months. I look forward to seeing you then, and thank you again for all your hard work on the film.

kind regards,

Husein

SCREENING DETAILS:

Sydney Film Festival/ 2005 Young Filmmakers Fund Screenings

This year we celebrate 10 years of the Young Filmmakers Fund. Established by the Premier in 1995 to support young and emerging filmmakers, the YFF has to date supported 87 projects including short dramas, documentaries, animation, experimental films and a short feature. These films have screened at festivals around the world and have won numerous awards.

The 2005 YFF Screenings showcase YFF projects completed over the last two years, including award winning shorts screened at Berlin, Sundance and Montreal.

Screenings at Hoyts George Street Cinema 4 are free to the public, but please note seating is limited. Tickets can be collected half an hour prior to each session from the Hoyts George Street box office.

Program One Thursday 16 June 5pm-6.30pm
Program Two Friday 17 June 3.00pm – 4.30pm — ***HARRY THE HUNCHBACK SCREENING***
Program Three Friday 17 June 5pm-6.30pm

Commence Podcasting

Given that I’m a sound dude etc., it’s about time I started podcasting here, dontcha think?

I’ll try to do at least one per week (I have hundreds of hours of ‘original’ material available). I’ve created a new Category called, imaginatively, ‘podcast’. You can subscribe to it as an RSS feed for iPodder or whatever aggregator you use (if that made any sense, then I probably didn’t need to tell you). Otherwise just download it by (right) clicking as with any mp3.

OK, here goes. For our first podcast, you can hear me interviewed by Brooke Olsen, on the 2RRR program Jagged Frequencies, in November 2003. I remember being pretty stressed at the time of the interview, so it wasn’t a great performance, but at least it contains some info about what I do:

Shannon Interviewed on Jagged Frequencies, November 2003. Duration 14m28s.

Let me know if you have any technical problems. It seems that WP isn’t adding some of the info that it’s supposed to, as described here, but it still seems to work with iPodder.

Also, some of my mp3s (such as this one) are encoded as MP3Pro, which sounds twice as good as a normal mp3 at the equivalent bitrate, but to get the full quality you need a compatible player, such as Winamp with the appropriate plugin. As far as I can tell, iPodder and Winamp don’t mix, yet. Anyway, just thought you should know, and if you know more about this, then let me know, y’know?

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