My review of the WIRED Open Day has been published by RealTime.
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I’ve programmed the latest edition of the Eleven Eleven podcast. You can listen to it over at Alias Frequencies This edition of Eleveneleven features a myriad of voices. Different voices with different perspectives, some familiar, some strange. ‘Postfolkrocktronica’ radio Produced and presented by Shannon O’Neill Experimental radio Produced and presented by Shannon O’Neill Messages, a site-specific sound installation that plays recordings of deceased loved ones, from sources such as answering machines and home movies, by Jennifer Teo and Shannon O’Neill, opens tonight in the All Souls Chapel. Hidden: A Rookwood Sculpture Walk On the Village Green, corner of Hawthorne Avenue and Necropolis Drive, Rookwood Cemetery. Exhibition dates 7 March – 8 May 2011
The website for the Powerhouse Museum’s exhibition ‘The 80s are Back’ includes a number of articles about the culture of the time. My article about sampling in the 80s has just been published. It focuses on the influence of the Fairlight CMI sampler and artists such as the Art of Noise and Kate Bush. ‘Postfolkrocktronica’ radio Produced and presented by Shannon O’Neill and Adrian Bertram
The latest edition of furthernoise.org includes a compilation ‘The Sound of Live Performance’, with my track Iris Detonation. Iris Detonation is an excerpt from a live performance at Disorientation, at the Abercrombie Hotel, Sydney on 2005-10-26. I’d prepared a glitchy piece in AudioMulch, but was surprised when my laptop and sound card decided to contribute their own glitches and dropouts. I couldn’t listen to this recording for a long time, but can now appreciate the extra dimension of broken sound.
Here’s an ABC Classic FM interview/podcast about my Rolling Stock installation, Locomentum: http://www.abc.net.au/classic/australianmusic/stories/s3104512.htm The interview took place the day before the event, so the sounds you hear are of work in progress. I have some recordings of the actual train trip, which I’ll publish at some point. |
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